The organising committee of Paris 2024 has apologised to Catholics and other Christian groups who were outraged by a scene during the opening ceremony that evoked Leonardo da Vinci’s The Last Supper painting with drag queens, a transgender model and a singer made up as the Greek god of wine.
The parody of the biblical scene, performed against the backdrop of the River Seine, was intended to interpret Dionysus and raise awareness “of the absurdity of violence between human beings”, organisers wrote on X.
The committee was forced to apologise after the performance caused outrage among Catholics, Christian groups and conservative politicians around the world.
“Clearly there was never an intention to show disrespect to any religious group. [The opening ceremony] tried to celebrate community tolerance,” the Paris 2024 spokesperson Anne Descamps told a press conference. “We believe this ambition was achieved. If people have taken any offence we are really sorry.”
𝗧𝗵𝗲 𝗼𝗿𝗴𝗮𝗻𝗶𝘀𝗶𝗻𝗴 𝗰𝗼𝗺𝗺𝗶𝘁𝘁𝗲𝗲 𝗼𝗳 𝗣𝗮𝗿𝗶𝘀 𝟮𝟬𝟮𝟰 𝗵𝗮𝘀 𝗮𝗽𝗼𝗹𝗼𝗴𝗶𝘀𝗲𝗱!
“Clearly there was never an intention to show disrespect to any religious group.
[The opening ceremony] tried to celebrate community tolerance,”
the Paris 2024 spokesperson… pic.twitter.com/zwmVU9UHle
— Visegrád 24 (@visegrad24) July 28, 2024
France has a rich Catholic heritage but also has a long tradition of secularism and anti-clericalism. Blasphemy is legal and considered by many to be an essential pillar of freedom of speech. Supporters of the tableau praised its message of inclusivity and tolerance.
The Catholic church in France said it deplored a ceremony that “included scenes of derision and mockery of Christianity”.
Monsignor Emmanuel Gobilliard, a delegate of the bishops of France for the Games, said some French athletes had had trouble sleeping because of the fallout from the controversy.
Archbishop Charles Scicluna, the highest-ranking Catholic official in Malta and an official for the Vatican’s powerful doctrinal office, said he had contacted France’s ambassador to Valletta to complain about the “gratuitous insult”.
The Italian bishops’ conference said that what should have been a celebration of French culture took an “unexpectedly negative turn, becoming a parade of banal errors, accompanied by trite and predictable ideologies”.
An article in Avvenire, the daily Italian newspaper affiliated with the Catholic church, said: “Don’t take us for moralistic bigots, but what’s the point of having to experience every single global event, even a sporting one, as if it were a Gay Pride?”
JUST IN: Paris #Olympics 2024 organizers have now “APOLOGIZED” for their blasphemous opening ceremonies.
And why would they do that? Because they’re losing money,of course.
“Clearly there was never an intention to show disrespect to any religious group
pic.twitter.com/wUdvfRWdRQ pic.twitter.com/RDs1ZT8phY— Sandy (@SD73660) July 28, 2024
Matteo Salvini, the leader of the far-right League, a party in Giorgia Meloni’s coalition government, described the segment as “squalid”. “Opening the Olympics by insulting billions of Christians around the world was a really bad start, dear French,” he added.
The Hungarian prime minister, Viktor Orbán, spoke of the “moral void of the west”.
Some commentators said the controversy was another example of 21st-century culture wars turbocharged by a 24-hour news cycle and social media.
Thomas Jolly, the artistic director behind the flamboyant opening ceremony, said religious subversion had never been his intention. “We wanted to talk about diversity. Diversity means being together. We wanted to include everyone, as simple as that,” he said on Saturday.
The Guardian (UK)
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